What I Offer?
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What I Offer?
To make independent theatre more accessible, sustainable, and human with giving artists the business, technical, and creative support they need to tell stories that actually matter!
1. People Over Everything
No show is worth burning out the people making it. Whether I’m producing or stage-managing, I believe in running safe, respectful, and ego-free rooms. That means respecting artists' time, honoring boundaries, communicating clearly, and making sure everyone, from the lead actor to the crew to feels supported and valued.
2. Zero Gatekeeping
The business side of theatre is often kept behind closed doors, making it hard for emerging and younger artists to get a foothold. I believe in sharing resources, pricing my services transparently for indie budgets, and helping self-producers actually understand how the NYC scene works so they can build sustainable careers.
3. Amplifying Real, Unfiltered Voices
The best theatre comes from people who have something urgent to say. I prioritize working on original plays, solo shows, and stories from underrepresented, diverse, and emerging creatives and work that challenges the room, reflects the real world we live in, and doesn't play it safe.
4. Making Theatre Accessible to New Audiences
Theatre has to evolve if we want younger and first-time audiences in the seats. Through my work in marketing, audience activations, and arts journalism, I focus on breaking down the stuffy barriers around live performance and building genuine community around indie shows.
Honesty: I’ll always be upfront with you about what your budget can do, what your timeline looks like, and what your project needs.
Advocacy: When I’m on your team, I’m in your corner by protecting both your artistic vision and your bottom line.
Community: I don’t believe in transactional networking. I’m here to build long-term creative partnerships and leave every production better than I found it.
Creative vision meets real-world execution.
Putting up a show in New York usually means hiring five different people or doing everything yourself. Because I work on both the artistic and business sides of theatre, I help indie artists and productions handle the heavy lifting—from early rehearsals to closing night.
1. Producing & Stage Management
Keeping your show on track and on budget
Producing: Budgeting, venue booking, scheduling, and logistics for readings, festivals, and full runs.
Stage Management: Running the rehearsal room, building tech schedules, programming QLab, and calling the show.
Production Management: Strategy behind running the production, indie to commerical: I have your back
2. Marketing & PR
Getting people to actually know about your show and buy tickets
Press & Listings: Marketing and submitting your show to NYC theatre community, and tourist
Modern Social Media & Design: Creating social rollout plans, promo graphics, postcards, and playbills.
3. Photography
Fast, indie-friendly shoots built for theatre schedules.
Stage & Production: Full-run coverage during tech or dress rehearsals for press and archival use.
Rehearsal & Promo: In-rehearsal process shots and cast portraits to push ticket sales early.
Portraits & Headshots: Relaxed sessions for actors, writers, and creatives.
Events: Opening nights, panels, readings, and brand shoots. (Reach Out)
4. Writing & Digital Setup
Polishing your script and your online presence.
Playwriting & Script Notes: Original writing, collaborations, and honest script feedback from a playwright and reviewer’s perspective.
Artist Websites: Clean, easy-to-manage portfolios and show sites built on Framer, Google Sites, or Canva.
Maybe you just need production photos. Maybe you need a stage manager who can also design your playbill and submit your press listings?